domizil 15, 2002
The concept behind Steinbrüchel's first release on domizil was a draft creation in accordance with the constructivist tradition. Here, he plays with silence, tranquility and nothingness. The intervals that normally divide two pieces are integrated in the overall work, whose temporal structure follows normative rules. With the same sounds, he draws up a sound structure via a timeframe that grows exponentially. The rhythm emerges only from the nothingness of the silence...